Latest Movie :
Recent Movies

STORMLAND (2011)


The tragicomic story of lone rebel Boddi Steingrimsson who lives in a small town in Northern Iceland. Boddi hates materialistic modern society in its entirety and on his blog-page he comically criticizes everything and everyone. Before long he has become an outlaw in his own hometown, just like his viking hero, Grettir. After a series of dramatic mishaps, he snaps and goes riding down south to the big city on his sturdy steed Nietzsche. He's got a gun in his pocket. He's ready for the revolution.

Böddi (Ólafur Darri Ólafsson) returns to the village of Krókur after 10 years of studies in Germany and he's going to change the way Icelandic people think. On his blog he preaches noble, highbrow German ideals mixed with Viking Era romanticism. He's a bit too enthusiastic and is fired from his teaching position at the local high school after an ill-advised trip with his students to Drangey Island. Being a man of ideals, Böddi continues his crusade but has little luck. The girl he loves doesn't want him and the one he's using ends up using him. On his blog he continues to criticizes everything and everyone, much to the locals' dismay. Nothing will change in Krókur Village. So Böddi rides south to the big city of Reykjavík on his sturdy steed Nietzsche. He's got a gun in his pocket and noble ideas for the people. He's ready for his revolution. And his revolution is quite real.

JOHN DIES AT THE END (2012)

The film starts with a short sequence in which David (Chase Williamson) appears beheading an undead skinhead with an axe, and poses the question about whether an axe that had its handle and head replaced over time, is still the same axe.
It then cuts to a Chinese restaurant, where due to the side effects of some "sauce", David describes having had wild hallucinations, but also seeming able to count the grains in a plate of rice, and know details about the rice's origin. At the restaurant, David meets reporter Arnie Blondestone (Paul Giamatti), who supposedly is to help David publish his experiences. The film then follows David's stories as told to Arnie.
First, Arnie cynically asks David whether he would describe himself as an exorcist. David tells him that the previous night he and his friend John (Rob Mayes) had attended a late night call from Shelley Morris' (Allison Weissmann), who asked them for help, saying she was being harassed by her dead boyfriend. David and John had gone to the girl's house, but while they were talking, they realized they each were seeing different versions of her, which let them know she was an imaginary character. When they confronted her with this, she crumbled into snakes, which ended up forming a monster from various meat products from a nearby freezer. The monster said it seeked to battle its nemesis, TV show psychic Albert Marconi (Clancy Brown). The boys put the monster on the phone with Marconi, who promptly destroyed the monster over the phone.
Back at the restaurant, David, annoyed by Arnie's cynism, attempts to convince him of his abilities by describing the contents of Arnie's pockets, and predicting the outcome of ten throws of a coin. Arnie remains skeptical until David describes in full detail a twisted dream Arnie had the night before.
The tale then goes to the night when it all began, a rock gig two years previous, where John is playing with his band. There, David meets his friend Fred Chu (Jimmy Wong), and they witness Amy Sullivan (Fabianne Therese) being teased by wannabe-gangsta Justin White (Johnny Weston) by taking her prosthetic hand away from her. David gives Amy her hand back, and she tells him that her dog bit some Jamaican guy and it has now gone missing. When the gig ends, David meets said Jamaican guy, who goes by the name Robert Marley, and despite David's skepticism, Marley appears to not only able to do strange tricks, but also knows about David's past and possible future. When David goes back to his truck, he finds Amy's missing dog waiting for him near it, which starts following David everywhere from that point on.
That night, David gets another late call by John, desperately asking David to come over to his apartment. Upon getting there, David finds John severely delusional, so he decides to take him to a hospital. Before leaving, David takes a syringe with a black liquid, assuming it is what John has been taking, and tucks it into his pocket. John then tells David that he seems to be losing touch with reality, and remembers calling David repeatedly, despite David saying he only got one call. Seeing as John refuses to go to the hospital, they go to a diner, where John explains that the liquid in the black syringe is called "soy sauce", that he got it from the Jamaican guy, and that using it has given him the ability to see the future and other dimensions. David is in total disbelief, but during the conversation, David's phone rings, and inexplicably it is John calling. Overwhelmed, David begins to leave and John apologizes for everything that is going to happen.
They drive off, and John soon falls unconscious. Shortly afterwards, the syringe in David's pocket accidentally gets stuck into his leg, which causes him to begin having severe hallucinations. After putting himself back together, David drives on, and a character named Robert North (Doug Jones) appears in the back of his truck. North appears to be from another dimension, and says he has been studying humanity and David. North tries to get some kind of giant leech on David. David struggles, and when he manages to get rid of the leech, North inexplicably disappears. A detective named Appleton (Glynn Turman) then walks up to David's truck, and takes him and an unconscious John to the police station, where he questions David about what happened earlier that night. During the interrogation, David begins to notice he knows beforehand what Appleton is going to say. Appleton is then called out of the room and when he comes back, he tells David that John has died.
Back at the restaurant, Arnie goes back to being skeptical and advises David to publish David's story as journalism. David takes Arnie to his truck and shows him an initially empty cage. Instructed to look at the cage from the back of his eye, Arnie sees some monster resembling a raging japanese spider crab, which appears to convince Arnie that David is talking the truth.
Cut back to the police station; Appleton leaves again, and David gets a call from John, who guides him into escaping the police station. Eventually, David goes to his own house, where he meets Justin White, who appears possessed by a demon called "Shitload". White tells David he must come with him to a mall, and after David resists, White ends up throwing him in the back of a van, where David rejoins with Fred, Amy and her dog, and the still unconscious John. The dog licks John's hand, which magically causes John to regain consciousness. Once at the mall, White reveals a "ghost door" and explains that Amy is the only one who can open it. Appleton then arrives, kills White, and intends to take the four remaining people away, but as they are leaving, his head explodes, releasing the spirit of Shitload, which then goes into Fred. David shoots Fred and burns him with Appleton's car. They go back into the mall, and Amy opens the magic ghost door with her ghost hand. After David, John and the dog go through it, the door collapses shut. There, they meet North again, who reveals to have allied with Marconi. Marconi gives David and John a bomb they are to use to destroy an entity from another dimension named Korrok, which is the cause of all the anomalies they have been experiencing. When David and John enter the portal, they are told their coming was prophesized, that they are in a parallel universe in which Korrok —a machine turned sentient— apparently revolutionized their society, at the expense of its detractors being slaughtered. They are taken to Korrok, and explained that since David and John appear to know how to cross planes, they are supposed to give that knowledge to Korrok by sacrificing themselves to it, so that Korrok's people can cross to their plane and continue to spread Korrok's greatness. After John fails to activate the bomb, it's the dog who ends up reactivating it and jumping into Korrok with it. Upon escaping, David and John meet Marconi, who explains to them that they were only recruited as escorts to the dog, and they were chosen because they would not be seen as a threat.
The scene cuts back to David and Arnie at the restaurant. David explains that the dog had become mentally connected with Marconi and North when it bit the Jamaican guy, and that Korrok was probably not destroyed. Arnie agrees to publish David's story, but during their talk David notices that Arnie's self-image does not match what Dave is seeing, to which David concludes that Arnie is a product of his mind. They go to Arnie's car and find Arnie's dead body in the trunk. They then assume that Arnie was killed shortly after he contacted David, to avoid David's experiences being published. Arnie gets really upset about being just a product of David's imagination, so David pops him out of existence.
During the end credits, David and John are seen playing basketball in a court, and a portal appears. They cross and they find themselves in a similar court in another strange dimension where two men flying in metallic cones attempt to recruit them to save their universe too.

Bangkok Kung Fu 2012

 

Profile

  • Movie: Bangkok Kung Fu
  • Thai: บางกอกกังฟู
  • Director: Yuthlert Sippapak
  • Writer: Yuthlert Sippapak
  • Producer: Thanawat Thamprechapong
  • Release Date: September 1, 2011 (Thailand)
  • Runtime: 100 min.
  • Distributor: Film R Us
  • Language: Thai
  • Country: Thailand

Plot

Five kids fled from a mafia who abused them as beggars. They ended up meeting the great kung fu master who adopted them and taught them how to fight. Now, the kids are grownups and become the magnificent five kung fu fighters who have only one mission: to avenge the mafia who destroyed their lives.

Note

  • June 2010 - Cast workshop
  • September 2010 - Film-Rattaphom Thorkongsab withdraw from this movie. After production starts filming just 2 weeks, because his scandal.
  • October 2010 - Plot changes because of production was new casting.
  • November 2010 - Vitsawa Thaiyanon (or Tomo of K-otic) lastest new character cast for this movie.
  • Filming begins September 2010 - May 2011 

Silent Hill: Revelation 3D

http://www.photos.cinereves.com/FILM%202012/SILENT%20HILL%20%20REVELATION/SIELNT%20HILL%202012%20POSTER.jpg
Following the previous film, Rose Da Silva (Radha Mitchell) and her daughter Sharon (Jodelle Ferland) are trapped in Silent Hill, an alternate dimension shrouded in falling ash. Rose contacts her husband Christopher (Sean Bean) in the real world through a mirror and manages to send Sharon to him using an amulet. Rose remains behind to distract the cult that wants Sharon. Sharon has no memory of the events in Silent Hill, and Christopher lies to her that her mother died in a car accident.
Years later, a teenage Sharon (Adelaide Clemens) and her father live under the assumed identities of Heather and Harry Mason respectively. The pair are constantly relocating and altering their identity to hide from the cult. Heather suffers from recurring nightmares of herself in the Silent Hill amusement park where she is set on fire by the evil Alessa. During her journey to school, Heather is questioned about her identity by Douglas Cartland (Martin Donovan), a private investigator hired by the cult, but Heather avoids the situation. At school she meets Vincent (Kit Harrington), another student who she runs into after the school transforms into a nightmarish alternate reality. After school she again sees Douglas, and calls her father. After the call, Harry is abducted by an unseen force. Later, Heather waits at a mall for Harry when reality again shifts, unleashing monstrous creatures. After evading the monsters, Heather encounters Douglas who is killed by a monster and dragged away. Upon returning to the real world, Heather finds Douglas' corpse and flees.
Heather returns home and finds a message painted on the wall: "Come to Silent Hill". Accompanied by Vincent, she collects the amulet and the pair flee to Silent Hill as police arrive. There, Vincent reveals that he is cult leader Claudia Wolf's (Carrie-Anne Moss) son, sent to bring Heather to the cult, but he is unwilling to because she is the good half of Alessa. The town transforms into the nightmare dimension, and Vincent informs Heather that she is the one responsible for altering the reality and directs Heather to Claudia's father Leonard Wolf, who is locked in an asylum. Vincent is grabbed by a monster and Heather is knocked unconscious.
She wakes up in the ash-shrouded Silent Hill and meets Alessa’s mother Dahlia (Deborah Kara Unger). Heather asks about her father’s whereabouts and the other half of the amulet, but Dahlia reveals that Heather is the manifestation of the good side of Alessa's soul, then tells her to take cover as the darkness approaches. Meanwhile, Vincent is denounced as a traitor by the cult for trying to save Heather. Claudia then orders her men to take Vincent to the asylum to be "cured".
In the asylum, Heather meets Leonard (Malcolm McDowell), who tells her that Claudia locked him up because she thought he was infected with darkness. Leonard explains that the amulet's purpose is to "expose the true nature of things" and drives Heather's amulet into his chest, where its other half lies. The amulet reforms and Leonard is transformed into a monster, but Heather defeats him and extracts the whole amulet. Heather is then captured by the patients. The monster Pyramid Head arrives and fights off the patients, saving Heather. Heather finds Vincent strapped to a gurney surrounded by monstrous nurses. Heather frees him and they escape. The pair eventually arrive at the amusement park, where Harry is held captive by the cult. Vincent uses himself as a distraction for Claudia's guards, allowing Heather into the park.
Heather is confronted by Alessa and they fight for dominance, with Heather overcoming Alessa and absorbing her. Heather then finds the cult along with Claudia, Vincent, and Harry. Claudia says that Heather was brought back to not only destroy Alessa, but to serve as the incubator that will birth their god, who will cleanse the world of sin. Claudia touches the amulet and she is transformed into a monster, the same creature that killed Douglas and previously attacked Heather. She tries to kill Heather, but Pyramid Head intervenes and decapitates Claudia.
With the cult destroyed and Alessa's justice served, the ashes stop falling on the town. Harry chooses to remain in Silent Hill to find Rose. Heather and Vincent walk out of Silent Hill and back into the real world where they get a ride from a man named Travis Grady. He drives the pair away as several police cars and a prison bus travel into Silent Hill, and ash begins to fall.


The Lord of the Rings: The Fellowship of the Ring


Power corrupts. Absolute power corrupts absolutely. This is an old adage that has been the basis for many a story. It is the primary plot device behind John Tolkien's The Lord of the Rings classic. Written in 1954-55, with origins dating back to 1937, the first of the three movie installments, which have already been filmed, tries to stay true to the mystical world present in the book. The resulting effort is a definite success.

The star of the story, and the film, is not a person, but an object, a ring. The ring allows one to control a host of other rings handed down to the different peoples of Middle Earth: three rings belong to the immortal elves; seven to the dwarfs; and nine rings to mortal humans. The ring that rules all the others, forged using the fires of Mount Doom by the evil Wizard Sauron (Sala Baker), gives its holder so much power that it corrupts all those who seek to wear it, even the purest.

Of course, there are some peoples that are more pure than others. Humans generally seem incapable of wearing it without being corrupted by its influence (no surprise there). But there exists a diminutive people, the Hobbits, who do seem at least capable of carrying it without being polluted too much. It falls upon one Hobbit, Frodo Baggins (Elijah Wood), to take the ring to Mt. Doom, which is the only place where it can be destroyed.

Frodo is aided in his quest by the wizard Gandalf (Ian McKellen), the elf Legolas Greenleaf (Armando Bloom), the dwarf Gimli (John Rhys-Davies), two humans Strider aka Aragorn (Viggo Mortensen) and Boromir (Sean Bean), and three other Hobbits including Frodo's friend Samwise Gamgee (Sean Astin). The story chronicles how Frodo, being a reluctant hero, travels through mysterious and dangerous lands of breathtaking beauty, and fights terrific monsters in the context of awesome towers and citadels, to achieve his goal.

Perhaps one of the most visionary aspects about Tolkien's work is how he set the stage for a Dungeons and Dragons style video-game. Director Peter Jackson imbibes to the film the same feel present the book, in terms of traversing a diverse variety of landscapes, while encountering a diverse variety of creatures, friend and foe alike. Watching the film, it's easy to become mesmerised by the fantasy that is unfolding purely based on the cinematography.

Like with Joanne Rowling's Harry Potter (or for that matter, Stephen King's It), this film does not live up what I imagined, but it does a great job of presenting what Jackson and his co-workers imagined. The special effects are spectacular and meticulously done, perhaps even better than those observed in Harry Potter. There are no cop-outs here and every place that it matters, the effort and the expense have been evidently put in. The soundtrack sometimes overwhelms the dialogue, of which there is a lot, interspersed between the action sequences. Do not miss seeing this on the big screen. This is how movies should be made.

Harry Potter and the Sorcerer's Stone

maskolis template

It is extremely difficult, if not impossible, to translate a book into a movie. The problem has to do with one's imagination: words in a book conjure up images that are highly personal and subjective, and any attempt by a third party to lend form to them ends up disappointing. Harry Potter and the Sorcerer's Stone is no exception in this regard, but fortunately, the imagery presented is awesome and wondrous in its own right.

The film is made strictly by the book: Harry Potter (Daniel Radcliffe), a young boy mistreated by his foster family, learns that he is special and comes of age... in the Hogwart's School of Magic (!) where he learns wizardry, plays Quidditch and fights an evil despotic wizard (who does not turn out to be his father).

While the movie stays fastidiously true to Joanne Rowling's book, perhaps one of the best adaptations ever, the adage that a picture is worth a thousand words doesn't hold true here. For the most part, from the initial victory of the baby Harry Potter upto the Quidditch match, a lot of the details are skipped. What we're presented with is a jump from one scene to another (sometimes too quickly) that illustrates with painstaking effort the magical realm that Rowling has constructed in her series. For example, while the opening sequence shows Professor Albus Dumbledore (Richard Harris) turning out the lights in a street, Professor McGonagall (Maggie Smith) changing to her true form from being a cat, and Hagrid (Robbie Coltrane) bringing Harry on his flying motorcycle, we're not really shown the celebration of Lord Voldemort's fall. This isn't criticism but just an observation; in fact, I think doing this is especially okay if one is familiar with the Harry Potter books, but it does impart a sense of urgency in the beginning portions of the film.

I marvelled at how technology enabled the film makers to make possible the wonders of Harry's world, including Diagon Alley and Gringotts Bank, the moving pictures, Hogwarts Castle, the Sorting Hat (Leslie Phillips), the ghosts in the Castle (including a cameo by John Cleese), Fluffy the three-headed dog, the ugly troll, and so on. I believe that it is technology that makes the Harry Potter film authentic, in the same way as in the X-Men or the How the Grinch Stole Christmas movies, by letting at least the imagination of a few people come to life as vibrantly as possible. Most of what I imagined and what was projected on the screen weren't really colinear, but it was still cool, incredibly so at times, to watch.

The movie, however, picked up with the first Quidditch match where Harry, on a broomstick, plays the position of a Seeker after the Golden Snitch, a particularly hard-to-catch ball, which is key to winning a game. The inspired depiction of the game meshed with my imagination extremely well, and from there on, the story of Harry's second encounter with the dark Lord Voldemort (Richard Bremmer) enfolded in a less fragmented and more cohesive manner. The final confrontation, and what Harry and his friends have to do get there, is a delight to watch.

For those paying attention, the main change from the book has to do with how Hagrid's dragon is disposed of and the resulting consequences. The ghosts also play a smaller role here though given the movie's running time, I'm not surprised parts like those were omitted.

The actors playing the young leads give decent performances, with Emma Watson as the know-it-all Hermione Granger standing out. The adult actors aren't given much time but they all present solid performances. The score by John Williams is simple but effective. The set design, cinematography, and visuals are impressive. Director Chris Columbus does a great job of bringing to the big screen the Enid Blyton-like atmosphere that Rowling's books exude.

Harry Potter and the Sorcerer's Stone is a great movie to watch. I viewed it from the perspective of someone who is intimately familiar with the books, and I believe there is strong merit to watching it being completely unfamiliar with the story, a choice I do not have given that I've read the four books a few times. Definitely check it out on the big screen and make sure you goto the bathroom before.

The Taking of Pelham 123 : movie review

Written by Film critic : Matt Willey : Movie Reviews Dvd and Blu-ray Reviews


The Taking of Pelham 1 2 3 Is a New thriller starring Denzel Washington and John Travolta directed by Tony Scott shot in the subways of New York City. The story starts as a man who calls himself "Ryder," (John Travolta) leads a band of thugs as they highjack a subway train and MTA dispatcher Walter Garber (Denzel Washington) who is Reluctantly forced to be the Lead negotiator.
movie review The Taking of Pelham 123

This Film is a remake of a 1974 movie of the same name and reworked to meet a new audience. With modern dialog and cell phones, laptop computers and of course the fact that 911 effects the city still, this film was a really fast pace based roughly on the old plot. There are some wild scenes in this movie of New York City as the Mayor, (James Gandolfini) agrees to pay a $10 million ransom and they try to get the money across the city to the subway station. If nothing else is worth the price of admission to see James Gandolfini, Tony Soprano as mayor of New York it’s so cool. Denzel Washington and John Travolta work wel together and their voices are what id cool to have to big name actors in a dialog driven story about two characters that interact over a radio on the subway car. This film was made for a younger audience and I think that those are ones that do go to the movies regularly.

I think my fellow Critics just didn’t get that part of the puzzle, that this film was made with the 17-27ish age group in mind, so it’s fast cuts and rough, realistic dialog. What would a career family man with a Wife and kids and an ex-con straight out of prison talk like, what would the banter be? I think the writers nailed it dead on and the two main actors and Gandolfini included deliver the lines flawlessly. Also, the fact that this film has scenes filmed on the streets of New York to would in my opinion must have been a logistical nightmare and an undertaking that is in itself a commendable feat. This film also has some great editing and that’s often overlooked, editor Chris Lebenzon stitches together a compelling series of images that suck you in, and work well with the Music by Harry Gregson-Williams. This is a good film, not a great film and it overcomes a story that is antiquated, and turns it into a new and improved version that is engaging to watch.

Directed by Tony Scott
Produced by Tony Scott, Todd Black, Jason Blumenthal, Steve Tisch
Written by Screenplay: Brian Helgeland, David Koepp (uncredited),
Novel: Morton Freedgood
Starring Denzel Washington, John Travolta, James Gandolfini, Luis Guzman, John Turturro, Gbenga Akinnagbe, Frank Wood
Music by Harry Gregson-Williams
Cinematography Tobias A. Schliessler
Editing by Chris Lebenzon
Studio Relativity Media, Scott Free Productions,Escape Artists
Distributed by Columbia Pictures, Metro-Goldwyn-Mayer
 
Support : Creating Website | Johny Template | Mas Template
Copyright © 2013. DOWNLOAD FILM - All Rights Reserved
Template Created by Creating Website Published by Mas Template
Proudly powered by Blogger